I haven't paid much attention to the specifics of recent Live updates, but my impression is that Live is doing an excellent job.SLiC wrote: Fri May 26, 2023 8:39 am You could argue that Ableton have had a bit of a PUSH to get things out lately![]()
Joking aside its been 2.5 years since Live 11 came out...take a look how much 'new' stuff Bitwig have pushed out in 2.5 years (Live is now 11.3 but the 3 point updates in Live are mainly improvements rather than new stuff other than 'Drift' synth and adding 'cloud' both to support PUSH I suspect)
Either way- It's not a zero sum game, I have Live and Bitwig and love that both are being developed or improved at a rapid pace, I am especially pleased how all in Ableton are with MPE now. Being impartial as a user of both I would say most of Lives big developments in the last few years have been catching up on some of Bitwigs features (MPE, probability stuff) but they are still miles behind on modulation accessibility, in clip editing functions and of course the browser....I suspect most of Lives short term innovation will now be driven by PUSH 3 and that may of course also help people who don't use PUSH...
I'm satisfied with the direction and speed of development of Bitwig. I'm sure I would be satisfied with Live too.
The main thing I would wish for with live is that they implement recording midi channel data per note. That is still a significant limitation for MPE. There are ways that I use my MPE controllers that in Live will not necessarily play back what I originally recorded. I depend on recorded channel data all the time in Bitwig. Other than that, I am very happy to see Ableton focusing on MPE support. That is good for everyone who is into MPE regardless of whether they use Live.
