Thanks for the tips. I'll play around with this more, maybe the graphic is part of the problem here.Funk Dracula wrote: Wed Oct 16, 2024 11:36 pmThe Bitwig envelope follower has a gain, rise, fall, and scale parameters to adjust it accordingly. Peak or RMS detection too. 99% of the time if a plug-in has an auto-envelope follower built into it, I replace it with the Bitwig envelope follower because it works better and is more adjustable. Also, 99%, you need to crank the gain parameter up in order to generate an envelope that is going to give you values of modulation to work with.billinder33 wrote: Wed Oct 16, 2024 12:56 am I find Bitwig's envelope follower to often be lacking in gain, the one built into Transit is way better.
The problem you may be encountering is envelope follower does not draw a graphic representation of the envelope as clearly in it's little window than say the audio side-chain modulator does. In envelope follower it's barely visible as a faded blue hidden behind the icon, where in audio-sidechain it's clearly visible as bright purple and unobstructed by an icon. They are basically the same thing, so you might want to whip up the audio-side chain to gain a better understanding of the envelope follower parameters I suspect you might not be entirely aware of that can be tweaked. (gain, rise, fall, amount)
Cheers
But TBH a lot of what you wrote is exactly why I don't like it. Too fiddly and never works on default. Compared to something like the follower in Filterverse which works 80%+ of the time without needing a tweak. Then just the workflow aspect... If I'm already in a plugin that has a follower, I'd rather just do everything there where you can easily see and identify all the device's parameters rather than a scrolly-list and having to bounce back and forth between the plugin and Bitwig's follower.
FWIW, I do get a bit of use out of Segments. Great way to turn Diva into a vintage wub-wub version of Serum. Also makes MassiveX less annoying to work with.

