what i like to do is use a ribbon mic pointing into the cone as my base (R121 for example) to get good low end and mids, and mix in an SM57 (or anything dynamic) looking into the coil (or slightly to the side) until i get a nice full balanced sound. that has been my goto into all amp sims from day 1, and it never fails me.jamcat wrote: ↑Wed Jul 27, 2022 12:45 amTry this one weird trick:machinesworking wrote: ↑Wed Jul 27, 2022 12:11 am Hmm? my only real gripe with Amplitube 5 tone wise is certain high frequencies are harsh, i.e. digitally harsh, not solid state or tube harsh. It all makes sense really, how do you oversample live playing? If their take on amp and cab modeling vs Guitar Rig 6 with it's convolution etc. is capable of getting rid of that sometimes in the right (or wrong really) situation artifacts, I'm all in. I probably am anyway, other amp modeling companies sound great but leave something out.
Put a second mic on the miked speaker, and invert the phase. Move it around and try different volume levels until you get something you like. You can fine tune the characteristics of the phase cancellation through position and volume of the 2nd mic.
The effect of this will smooth out the cab and make it sound more natural, and diminish the "veiled" effect of convolution.
Source?