How to counter the volume raise when cutoff opens
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- KVRist
- 41 posts since 19 Aug, 2008
I have a tune in which i use to the cutoff filter switch alot, but the de volume difference between the not open filter and the open filter is too much. I there a way to counter this? You can use a limiter but I dont want to squash it too much.
- KVRAF
- 12615 posts since 7 Dec, 2004
if you're automating the cutoff, you could also automate the volume.
there is no way to do this other than a compressor. the volume change should be minimal though. peak level should change very little.
if you're in a specific situation like white noise with normal distribution the volume can be adjusted to maintain a perfect 0db peak level, but every signal will be different.
there is no way to do this other than a compressor. the volume change should be minimal though. peak level should change very little.
if you're in a specific situation like white noise with normal distribution the volume can be adjusted to maintain a perfect 0db peak level, but every signal will be different.
Free plug-ins for Windows, MacOS and Linux. Xhip Synthesizer v8.0 and Xhip Effects Bundle v6.7.
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- KVRAF
- 15135 posts since 7 Sep, 2008
Depends on the synth, but I would map the cutoff envelope to the amplitude with a negative value.
If your synth doesnt allow you to do this, then you need a better one
If your synth doesnt allow you to do this, then you need a better one
"I was wondering if you'd like to try Magic Mushrooms"
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- KVRAF
- 4083 posts since 29 Jun, 2011 from USA
Map your Modwheel to the cut off frequency and then map it to amplitude/volume with a negative value. Adjust it until the levels are equal at low and high cut-off.
Source
Modwheel
Destination:
Cut off +, Volume -
What synth is it?
Source
Modwheel
Destination:
Cut off +, Volume -
What synth is it?
Last edited by Aiynzahev on Mon Mar 26, 2012 9:06 pm, edited 1 time in total.
Aiynzahev-sounds
Sound Designer - Soundsets for Pigments, Repro, Diva, Virus TI, Nord Lead 4, Serum, DUNE2, Spire, and others
Sound Designer - Soundsets for Pigments, Repro, Diva, Virus TI, Nord Lead 4, Serum, DUNE2, Spire, and others
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- KVRAF
- 1800 posts since 10 Feb, 2007
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- KVRian
- 576 posts since 15 Apr, 2004 from Sweden
isn't that just a compressor specializing in slow envelopes?
bleh
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- KVRer
- 6 posts since 4 Oct, 2011
no reason to use anything other than a compressor/limiter here. if you aren't clipping anywhere, another limiter won't hurt the characteristics of the sound, just give it a buzz cut, so there's another option!
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- KVRAF
- 7095 posts since 22 Jan, 2005 from Sweden
I don't really get what you do:Brouwers wrote:I have a tune in which i use to the cutoff filter switch alot, but the de volume difference between the not open filter and the open filter is too much. I there a way to counter this? You can use a limiter but I dont want to squash it too much.
a) it's too loud soundwise and sounds terrible - fix this with ADSR for cutoff filter and volume envelope to get the result you want.
What are you using for filtering?
b) peakwise in recording is having overs - then what is already said by others.
If using limiters/compressors in this case you are going to squash it.
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- KVRian
- 540 posts since 7 Jul, 2004 from Skopje
the amp modulation and / or compressor should do the job but it can be a bit tricky to tune the settings to not get volume changes at particular settings.
on the same topic, one problem I often run into is the classic volume drop when increasing filter resonance, again you can automate the volume but you can also side-chain a compressor with a low pass filtered version of the signal so that at low resonance values it gets compressed hard but with high res it goes through pretty much untouched.
I use EQuick into The Glue to do this, the advantage of using the EQ to filter the side chain is that I can really tune the side chain signal to get the compressor to respond how I want depending on the frequency content.
on the same topic, one problem I often run into is the classic volume drop when increasing filter resonance, again you can automate the volume but you can also side-chain a compressor with a low pass filtered version of the signal so that at low resonance values it gets compressed hard but with high res it goes through pretty much untouched.
I use EQuick into The Glue to do this, the advantage of using the EQ to filter the side chain is that I can really tune the side chain signal to get the compressor to respond how I want depending on the frequency content.
- KVRAF
- 12615 posts since 7 Dec, 2004
actually the "classic volume drop from resonance" is due to negative feedback. all you need to do is increase the gain by the feedback amount.
what you're getting is:
in - out * feedback
let's assume cutoff = infinity
out = in
out - out * feedback
so, to get back to unity, we need to do this:
out + out * feedback
or,
out * (1 + feedback)
ask the author to put a switch or mode in for this. it's ridiculous not to have it.
(also easy to do in an analog circuit. you just use a dual-gang pot and mix one copy of the feedback into the output)
(alternatively you can do more interesting things like adjust the input level to create more focused "saturation" at high res rather than large res peaks. whatever your goal is.)
what you're getting is:
in - out * feedback
let's assume cutoff = infinity
out = in
out - out * feedback
so, to get back to unity, we need to do this:
out + out * feedback
or,
out * (1 + feedback)
ask the author to put a switch or mode in for this. it's ridiculous not to have it.
(also easy to do in an analog circuit. you just use a dual-gang pot and mix one copy of the feedback into the output)
(alternatively you can do more interesting things like adjust the input level to create more focused "saturation" at high res rather than large res peaks. whatever your goal is.)
Free plug-ins for Windows, MacOS and Linux. Xhip Synthesizer v8.0 and Xhip Effects Bundle v6.7.
The coder's credo: We believe our work is neither clever nor difficult; it is done because we thought it would be easy.
Work less; get more done.
The coder's credo: We believe our work is neither clever nor difficult; it is done because we thought it would be easy.
Work less; get more done.