I am looking for a plugin like RBass or MaxxBass. Do you have any advice?
I am also seeking an LA2A comp plugin affordable.
Yay
+1Arrested Developer wrote:There is Melda MBassador.
Which i would prefer since you can better control what it's doing.
The mechanism behind such a plug in is simple psychoacoustics.electro wrote:Maxxbass was Waves' only plugin you couldn't find another to replace.
I think almost everyone ends up buying maxxbass/rbass eventually. What it does, it does extremely well and it regularly goes on sale. I've never successfully fully replicated the punch I get from maxxbass using similar methods to your description. Imo there is no 100% substitute.Arrested Developer wrote:The mechanism behind such a plug in is simple psychoacoustics.electro wrote:Maxxbass was Waves' only plugin you couldn't find another to replace.
And you even can build your own effect that's doing the same by combining existing effects.
E. g. if you want to add some kind of "subbass" which works on a small speaker (with no real bass), do the following:
send the signal, you want to "beef up" to an aux.
There, you insert a EQ which cuts the frequencies above the range of your bass.
Next, insert an octaver plug in (i.e. a pitch shifter set to -1 octave [or -2, if you want this. Or both].
Then insert a saturation / moderate distortion plug in that creates harmonics of your generated subbass.
Now insert another EQ. You can cut away everything below and above a range which you want.
It's important, that the passing band has at least a bandwith of ca. 2 octaves.
These will create the illusion of that low frequency which your octaver created, even if you take that low frequency away.
This method gives you a better control of what you're doing cause you can control every step.
Of course you also can take MBassador.
Bark of dog is just an eq peak - that's it. You can do that with any eq.HPfeiffer wrote:Being Freeware, I would have mentioned Bark-Of-Dog as well. You can also mimic the effect using SEND:
http://www.vst4free.com/free_vst.php?id=515
Shape the input and the harmonics via the internal high- and lowpass - then switch to parallel-mode.
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