This one is an attempt to get the high and low registers just right. It should would work in more arrangements than the patch from my last track.
It uses the Trajector OSC FX on three layered wave forms. One thing that helps piano sounds is using an envelope on OSC Tune to make it go slightly sharp on the Attack. For higher notes a little less Release helps it sound like you are striking a higher key. Inverse Key Follow on the ENV1 Release handles that.
The OSCs use quad voice for thicker sound but no width so it doesn't get lost in the strings. If you want a wider sound set the width of each OSC and the COMB filter to the same width.
Here's the patch: Clangorous Blue Piano
Here is a track using the patch so you can hear it:
Time Was
Piano - Zebra
Strings - Diva
Flute - Hive
Violin - Zebra
Enjoy!
Blue Piano - Realistic Piano Patch for Zebra
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- KVRist
- 329 posts since 13 Nov, 2013 from Charlotte, North Carolina
Last edited by clangorous on Tue Dec 31, 2019 3:31 am, edited 1 time in total.
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- KVRian
- 1418 posts since 14 Apr, 2016 from Germany
Nice patch! Thank you! 
Intel® Core™ i9-9900K•Cubase 11•Presonus Eris E8 XT•Focusrite Scarlett 18i20 & Octopre•NI Kontrol S61 MK2•Steinberg CC121•Synthesizers: Arturia Casio Korg Roland Yamaha
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- KVRist
- Topic Starter
- 329 posts since 13 Nov, 2013 from Charlotte, North Carolina
Very welcome! Glad you guys found it useful.
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- KVRist
- 163 posts since 14 Aug, 2004
very interesting patch!
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- KVRist
- Topic Starter
- 329 posts since 13 Nov, 2013 from Charlotte, North Carolina
Glad you like!
I tweak it every time I use it, lol. Since it takes up all 4 lanes, turning lanes off and on or adjusting the mix between them sometimes works better than EQ.
Would love to hear anything you guys compose with it.
I tweak it every time I use it, lol. Since it takes up all 4 lanes, turning lanes off and on or adjusting the mix between them sometimes works better than EQ.
Would love to hear anything you guys compose with it.