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Ableton Announces Live 12.3 with Stem Separation and Splice Integration

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Ableton

Ableton has announced that Live 12.3 is now available as a public beta, introducing several new features, with a significant new audio tool at the forefront.

The main addition is Stem Separation, a feature that allows users to isolate vocals, drums, bass, or harmonies from an audio sample. This is integrated directly into Live, letting you split any audio clip into its core components for remixing, mashing up, or just grabbing that one part you need.

This update also brings Splice integration directly into Live's browser, giving users access to the sample library without leaving the DAW. A "Search with Sound" feature is included to help find rhythmically and harmonically similar samples within the Splice library.

Several workflow enhancements are part of the 12.3 beta. "Bounce Groups" and "Paste Bounced Audio" aim to simplify the process of rendering and re-inserting audio clips. The Auto Pan-Tremolo device has been updated with a new layout and more in-depth modulation controls. Additionally, an A/B comparison feature has been added to all of Live's built-in instruments and effects.

Key features in the Live 12.3 beta include:

  • Stem Separation: Split audio clips into four distinct stems (Drums, Bass, Vocals, and Harmony).

  • Splice Integration: Full access to the Splice library from Live's Browser.

  • Updated Auto Pan-Tremolo: A redesigned interface with expanded modulation capabilities.

  • Workflow Improvements: New functions for bouncing and pasting audio clips.

  • A/B Comparison: Compare different settings on any native instrument or effect.

  • New Packs: Includes "Generators by Iftah" for new MIDI tools.

For Push 3 users, the update adds an XYZ layout that turns the pads into a touch surface for effect and rack control, along with a Rhythm Generator layout and touch-sensitive step editing.

The Ableton Live 12.3 public beta is available now for all Live 12 license owners who sign up for the Ableton beta program.

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