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 Cloud Cello by Sound Dust is Soundware (e.g. samples or presets that load into other products).
Cloud Cello
Cloud Cello Cloud Cello
Product Cloud Cello
Developer Sound Dust
Price (MSRP)
£35.00
Type / Tags CelloBowing EffectsExperimentalKontakt Instrument
Plug-in, App & Soundware Format(s)
Soundware
For
Kontakt
Soundware
Formats
NKI
Operating System Availability
Operating
System
Latest
Version
Download Released
 
1.0
 
- Released
 
1.0
 
- Released
 
1.0
 
- Released
Max. 6 items
Latest Version Changes [view all]

Cloud Cello is a new take on an old instrument using unlikely bowing materials and techniques to make entirely new sounds that go from huge 'superwave' pads to intimate and delicate solos.

More details, demos and video at Sound Dust

https://soundcloud.com/sound-dust-1/sets/cloud-cello

the fine print:

  • Two instrument variations - solo & ensemble versions.
  • 2GB of 24-bit samples (uncompressed).
  • Three octave keyrange - C1 to C4.
  • Seven deeply sampled articulations through eight 'oscillators'.
  • Accented bow: short bowed note with conventional bow. 5 x round robin per note. Two mic positions- valve condensor and contact mic.
  • Col legno: Latin for 'gently thwacked with the back of the bow'. 5 x round robin per note. Two mic positions- valve condensor and contact mic.
  • Twine: bowed with 5 meters of coarse garden string. 5 x round robin per note, minimum 20 seconds per sample. Two mic positions- valve condensor and contact mic. Hard-wired to CC11 for expression pedal or MIDI controllers.
  • Dark Cloud: Twine recorded 100% wet reverbed through Strymon Big Sky hardware reverb. Playback through Kontakt grain oscillator.
  • Pale Cloud: the Dark Cloud recorded 100% wet reverbed through Strymon Big Sky hardware reverb unit, so basically 200% wet.
  • Sub Bass: (ensemble only) Moog voyger sine bass.
  • Effects per oscillator: tremolo, vibrato, saturation, pitch selection, pan, lowpass filter, high pass filter, reverb and delay.
  • Master output effects: low pass filter, highpass filter, rotor effect, delay, cabinet modelling and EQ.
  • Master unison control for up to eight voices per note.
  • Velocity to volume amount control.
  • Aftertouch to pitchbend amount control.
  • Aftertouch to filter light/dark control.
  • Advanced architecture with automatable MIDI control of everything on the interface.
  • 74 specially created convolution reverb impulses recorded from real spaces, expensive hardware, and some less obvious sources including a Roland Space Echo, Strymon Big Sky and the stage of Glyndebourne Opera House.
  • 50 themed instrument presets (.nki's) each with modwheel patch morphing for gazilions of variation.
  • Built in instruction manual in RTFM tab.

FULL version of Kontakt 4 or above needed.

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