40 KVR members have added ERA II Medieval Legends to 8 MyKVR groups 50 times.
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With ERA II, you are taken on a sonic journey back to the Middle Ages. This library, tailor-made for the Engine Player, features an unmatched collection of over 70 historical instruments and countless atmospheric soundscapes.
Every sound was crafted by none other than Eduardo Tarilonte, one of the top sampling experts of our time. Known for groundbreaking libraries like Dark ERA, Forest Kingdom, NADA, and Quetzal, Eduardo brings his years of experience and deep understanding of historical sounds to every note in ERA II.
ERA II is your personal virtual minstrel for scoring movies, series, and fantasy games. It's also a perfect fit for genres like folk music and medieval rock. Whether you're composing epic soundtracks or weaving ancient sounds into your music, this library will transport your audience straight to the age of knights and kings.
ERA II Medieval Legends includes 10 flutes, 8 woodwinds, 4 hunting horns, 3 brass instruments, 9 bowed strings, 13 plucked strings, 3 keyboards, 20 percussion instruments, and 1 vocal.
The Engine Player offers a user-friendly interface so you can dive right in. These sounds are designed to spark your creativity and help bring your vision to life. With detailed multisamples, multiple dynamic layers, diverse articulations, round-robin techniques, and true legato samples, ERA II provides everything you need for authentic medieval compositions.
This 22 GB library covers all the instruments and sounds needed to create a historical atmosphere. ERA II is like an immersive fantasy novel, transporting you musically to mystical times long past.
The Instruments:
The Recordings
The recordings for ERA II were conducted in carefully selected Spanish studios, including the Infinity Studios in Madrid and Eldana Studios in Dueñas. Renowned musicians like Rinaldo Valldeperas (crumhorn, shawm, renaissance soprano recorder) and Efren López (lute, citole, psaltery) contributed their expertise.
All instruments and vocals were recorded using a Neumann U87 microphone and high-quality preamps from Avalon and Neve. This ensures the clearest and most detailed sound recordings, giving you full control over your audio. The mics were deliberately placed close to the instruments, capturing every detail without room reverb, guaranteeing the highest sound quality.

I saw the pre-release info on ERA II last month. I was all ready to pre-order it when I noticed...AACCKK!! --- the Mac system requirements exclude OS X 10.8. FAIL!.
This keeps happening. By the time Apple fixes the bugs in their own software, and the developers fix their own compatibility issues, you can have maybe a year or two wherein the literally hundreds of audio and video apps and plug-ins that it takes to run a fully-functional workstation in an A/V project studio all work perfectly together.
Then it starts. One by one, apps start dropping support for a stable OS X version even before Apple does. It happened with 10.4. It happened with 10.6. And now it's happening again with 10.8. My question to both Apple and all of these developers is, "Do you people actually ever use your software in a production environment?"
Never mind. It's a rhetorical question. (sigh)
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