Room EQ:

• Corrects deficiencies of room acoustics (multipoint compensation).
• Corrects acoustic imperfections of speakers.
• Avoids the pre-echo (pre-ringing) problem of conventional convolver-based room correction systems. The absence of pre-echo ensures the neutrality of the sound.

• Works in rooms, halls and outdoor venues of any size.

• Works with zero latency. Doesn't delay the audio track when playing video. Can be used for live performances.

• Corrects both amplitude and phase components of frequency response.

• Quells resonance peaks of frequency response while leaving the deep notches. Avoids the overcompensation which happens in conventional linearizing room correction systems.
• Manually adjustable level of compensation allows one to reach the maximum transparency of the sound.
• Supports full range of sample rates from 44,056 kHz up to 384 kHz.
• Includes a custom target curve feature.
• Applies 64-bit signal path throughout.
• Works with USB measurement microphones (e.g. MiniDSP UMIK-1 or Dayton Audio UMM-6) or standard measurement microphones (e.g. NADY CM100 or Dayton Audio EMM-6).
• Supports microphone calibration files.
• Applies a patented method of frequency response correction.