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Sumu

Synth (Additive) Plugin by Madrona Labs
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Sumu
Sumu by Madrona Labs is a Virtual Instrument Audio Plugin for macOS and Windows. It functions as an Audio Units Plugin and a VST 3 Plugin.
Product
Version
1.3.0
Windows versions require Windows 10 or higher.
Product
Version
1.3.0
Mac versions of Sumu require OS X 10.14 (Mojave) or higher. Sumu runs natively on both Intel-compatible and Apple Silicon processors.
Instrument
Formats
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Sumu combines additive resynthesis with FM and vector field spatialization. Each voice of Sumu has 128 sine + noise oscillators connected as 64 FM pairs. Each oscillator pair can be set to its own location in a reverberant space, outputs from which are filtered via self-oscillating, analog-modelled filters.

Sampled sounds in Sumu are represented as collections of up to 64 bandwidth-enhanced partials, each with a frequency, volume, and noisiness that can change over time. This representation of sound makes all kinds of creative changes possible, from natural-sounding time stretching to exotic timbral manipulations.

Like the other Madrona Labs synths—Aalto, Kaivo and Virta—Sumu has a semi-modular architecture with patchable modules around a central patch bay. In Sumu, however, each patch cord carries 64 channels of data: enough to convey data about the entire sample as independent partials, or complex shapes as modulators.

A free, open-source companion app, Vutu, converts sounds from WAV or AIFF into Sumu's enhanced-bandwith partials format.

The 1.1 release, available now, has over 180 presets from Madrona Labs and other contributors.

{See video at top of page}

Latest User Reviews

Average user rating of 5.00 from 1 review
Sumu

Reviewed By bigpurpletiger [all]
March 25th, 2025
Version reviewed: 1.0.0 on Windows

A lot of fun. Just taking a guitar pluck from my own gear had me playing for hours. It also seem quite useful for "destroyed" sounds. For example, i can get some odd sounds from a Line 6 when I gain it up because it has such a low noise floor. Like my dog's bark resonating with the strings and stuff like that. Anyway, its hard to tune but I took one of my samples and resynthesized it to get a tuned note. Now I want to use my guitar as a sampling microphone, I gotta find me some construction area with a pile driver going...

Just as different form of sampling its really interesting. Then playing with the envelope generators really got wild. Modulating different partials capture from other sources is a deep area to mine for sounds. Even small tweaks create really interesting outputs.

If you like playing with found sound to put in your music, this is a must have tool. It's worth learning and using.

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