The Vienna Synchron Player is a dedicated sample player with an audio engine built from the ground up. Combining multiple microphone signals with a wealth of note variations and velocity layers for each articulation may quickly lead to a quite heavy voice count and CPU load. The Vienna Synchron Player comes with the most powerful sample playback engine, featuring unprecedented streaming performance while providing a new level of ease-of-use.
Innovative algorithms result in utmost realism and expressiveness: You may play short notes, long notes with various attacks, legatos, scalable vibrato intensities and note repetitions intuitively just by moving one or two preconfigured controllers, with a minimal need to switch articulations manually. The Vienna Synchron Player also includes a full fledged internal mixer with 5-band EQ, individual delay settings for runtime compensation, algorithmic reverb, phase switching, panorama controls as well as a host of effects such as saturation, delay, compressor, auto gain and many more.
The Vienna Synchron Player is included as free software with all Synchron Series products, the Vienna Smart Orchestra and Vienna Smart Spheres.
8-dimensional Synchron Player
The one and only sample player on the market with eight or even unlimited dimensions. Dimensions allow you to add any freely controllable musical parameter to any Synchron Series preset, resulting in incomparable versatility.
Streaming Performance
The look-up-function is up to 32 times faster than with conventional sample players. This improved look-up function is the backbone of the Synchron Player's unrivaled multi-microphone performance. All samples are linked to their corresponding microphone positions which improves access-times dramatically and allows for minimal latency. Up to 31 microphone channels (Synchron FX Strings I) provide infinite options to create a unique sound.
Out of the Box
Tailor-made mixer presets - ready to play. Easy access to authentic room impressions of Synchron Stage Vienna – from close to distant microphone positions.
Inspiring Elements
The new Synchron Player offers an intuitive work-flow for epic masterpieces and delicate soundscapes. Simple navigation: Instrument presets with consistent structure throughout all instruments will boost your creativity.
Features
Workflow:
Sound & Mixing:
Technical Features Player:
Technical Features Mixer:
yes, you have to purchase a usb dongle to make this free player working, and you need a soundbank that must be purchased ! .....better forgot these company, don't belive that i am able to have fun with those crappy products .
It's for pro user so you are right.
the problem is that this useless player is listed under freeware, but you are not able to bring some noise out of it, without spending some money. so how can you give this fake 5 stars under this aspect ?
THIS POST HAS BEEN REMOVED
VSL loat me as a user — a PRO user — when I discovered that it is impossible to assign different MIDI channels to different instruments in a single instance of the player. If you want to write for, say a viola on MIDI channel 1, violin on channel 2, and cello on channel 3, you have to load three separate instances of the player into your DAW, on three separate tracks. That's idiotic. If you have to do that, you don't need different MIDI channels in the first place.
What's worse, first VSL support acted like they had no idea what I was talking abouit...as though no would ever want to do that. Then, when they finally admitted they understood, they said, "Oh...you need to buy Vienna instruments Pro for that..." But that was a lie; it still doesn't let you assign different MIDI channels to different instruments in a single instance of the player. Then they said, "Ah...what you really need is Vienna Ensemble Pro..." But no; that's not a solution either; it still requires you to clutter up your DAW with multiple tracks...and it's a CPU hog into the bargain.
I like all the articulations, and I think their sampling is superb, as are all the features of their software...but their MIDI implementation is so primitive it's maddening. It's really a shame that such great sounding instruments are shackled to such a horrifyingly limiting MIDI implementation. I would have bought every instrument in the library if it weren't for that. Alas, now I never load even the ones I own into my DAW. I wanted to love VSL, but it turned out to be a waste of money.
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