Toxic Biohazard

Well first off, I'd bought Toxic III on sale for $49 a while back, and I loved it to bits. Great for leads, basses, PADS (the best synth I've come across yet!), atmospheres, you name it. Whatever you want, it does it!

That's great Flex, what about Biohazard? Well, it does it even better than its ancestor. Has about a million (ok not that many) more presets than III, and all of them are extremely usable. All I have to do is load up a preset, tweak its filters or something just a bit, and voila! Instant awesomeness.

The sound is lovely. One of the weak points of Toxic III was that its bass was just not quite there sometimes. In Biohazard, this has turned into one of its strong points! It truly is a workhorse synth, capable of any sound you want. Oh and the eternal question..."does it sound like a Virus?" Yes, actually, there's an excellent preset by ToTc Productions that really does sound like a Virus. In my not-super-educated opinion anyway.

Oh and did I mention the GUI? Toxic III was a GREAT introduction to FM synthesis for me, being one of my first synths ever anyways. Toxic Biohazard is actually even easier to use, in my opinion. Now I know how, exactly, FM Synthesis works and it's made life so much easier when working with other FM synths.

Oh, and the addition of the native FL Studio version is a kicker--it allows me to do all the fancy sliding and event editing I want! Stability has never been a problem, Toxic is a rock-solid synth in my VSTi and FLi versions.

Documentation? Honestly I haven't looked at it ever, I haven't needed to!

I haven't used customer support, but the fact that I got Biohazard as a free upgrade to Toxic III speaks volumes for Image-Line.

All this to say that I'm totally in love with this synth, even though I've had it for a while. Its ancestor was amazing and Biohazard is astonishing. Well done, Image-Line and Maxx Claster!Read Review

I own Rhino and have demoed Sytrus, Blue and FM7 - all fine synths, but I am attracted to Toxic for two main reasons:

1. The layout. Having EVERYTHING one on page makes it v-e-r-y easy to edit and see what makes up the patch. It becomes much more accessable rather than to be spread out over many pages. The look is clean, easy-to-read and, with the exception of a few minor quibbles, makes "sense".

2. The sound. Of course that is what it all comes down to, but with some more complicated synths, I get a headache tweaking thousands of parameters long before I get to the sound. Toxic is lush and full and quite "playable". While it can be coerced to do weirdness, it seems best suited as a performance instrument though it lacks aftertouch. Pads, organs, rhodes, strings, basses - all quite convincing without too much of the "metallic" overtones present in some FM synths.

It also features a decent arpeggiator and a rich but simple filter section. Effects are limited, but do the job.

The manual is nicely designed, but too basic. Would like to see a little bit more on the FM part of the synth or at least some links to information rather than assuming the user is already experienced in that area.

Summation:

Does it have every bell & whistle and an endless list of features with highly tweakable multi-point envelopes? No. Will you miss them? I doubt it. You can get to where you want to go fairly easily and are rewarded with a thick, organic sound. Don't be put off by it's relative simplicity. I had long wanted a Yamaha FS1R hardware synth and now the desire is laid to rest in this well-designed, tasty instrument.

BTW, check out my new soundset soon to be added to the Toxic website to see what this baby is capable of. (Tom Johnson)Read Review

Ok, so I read the review in some magazine. OK, so they warned me to have the credit card handy if I try the demo. This time they were right.

I am not into dance/trance music, my choice of synth is the one that can be used in indie rock, pop, jazzy even. So I was considering NI Pro-53, which is really great for the job.

But this one appeared with its 6 oscilators, wide range of waveforms, FM matrix, 2 LFOs, Filter, Amp, Distortion, 32 step sequencer, EQ and effects, and took the prime spot. Basically, this can do Moog, Pro-53 or Albino.

Layout is very ergonomic and easy to understand. You could say it has some touching points with LinPlug design. All buttons can be tweaked without buzz. Key response is quick, no latency problems.

There is a huge number of presets that show the whole range of the synth, although the emphasis is on dance music. Most presets are usefull, huge selection of bass, lead and pad variations.

Sound: powerful, convincing. Effects are really useful. Goes to the mix without the need for additional tweaking or boosting.

CPU usage is surprisingly low, even with pads. No crash jet.

I had some problems with MIDI assigning, since Toxic has pre-defined controls cc #1-30 that can be assigned to parameters, while my controler Edirol PCR-30 has different numbering. But, I can assign control through Tracktion anyway so this is no issue for me. I contacted Maxx about it, and he was very helpful and quick to reply. He promised to fix it in the next major update.

As I said, I tried the demo, saw the very attractive price and concluded that this is the only commercial synth I need. Price/performance here is unbeatable.Read Review