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Wet Reverberator
Wet Reverberator by Neunaber Audio (Quilter Labs) is a Virtual Effect Audio Plugin for macOS and Windows. It functions as a VST Plugin, an Audio Units Plugin, a VST 3 Plugin and an AAX Plugin.
Product
Version
1.0.7
Product
Version
1.0.7
Effect
Formats
My KVR - Groups, Versions, & More
10 KVR members have added Wet Reverberator to 10 My KVR groups 13 times.
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KVR Rank

Overall: 3786   2947   3616

30-Day: 2169; 7-Day: 17896; Yesterday: 11861

The Wet Reverb is a patented algorithm that has been refined over the span of 10 years. The Wet Reverb has the unique ability to add spaciousness while maintaining unparalleled clarity — enhancing your mix without covering it up.

The Wet Reverberator Plug-In was personally designed and coded by the algorithm's creator to ensure fidelity and consistency with the algorithm's core sound. This version of the effect is based on the algorithm in the Immerse Reverberator Mk II pedal, with expanded features that offer maximum versatility for mix engineers and producers.

Features:

  • Visually-stunning and informative cascading frequency plot.
  • Size & shape controls for Mix, Pre-Delay, Attack and Decay.
  • Simple and powerful EQ controls for Tilt, HPF and LPF.
  • Damping controls for frequency-dependent decay.
  • Modulation controls for Pitch, Rate and LFO Configuration.
  • Fidelity controls for Bit Depth and Stereo Width.
  • Platform-independent program storage.

Latest User Reviews

Average user rating of 5.00 from 1 review
Wet Reverberator

Reviewed By Faydit [all]
February 17th, 2020
Version reviewed: 1 on Windows

I always thought I had at least some quite good sounding reverbs. And then I heard this one and it really blew me away.

The Wet Reverberator sounds in some ways a little bit different than other room reverbs, which is something you will like or not, I personally think, this is the best, clearest, most precisely working and at the same time most naturally sounding reverb, I've ever heard. The natural, very musical sounding tone and the high quality still remain, even if you create very extreme, almost supernaturally sounding reverbs with it. No matter if you just give the sound some decent dimensionality or if you adjust incredibly dense, atmospheric reverb soundscapes, or anything in between, it always sounds good, without any too digital, harsh or sterile sounding higher frequencies or any other common problems, while the original signal even at higher mixing levels is much better retained than expected.

The controls allow a very wide range of different sounding reverbs, from subtle to extreme, a lot of excellent and useful tone shaping features and the frequency plot visualization enable precise individual adjustment.

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