The demos are straight out of the instrument, so you'd have to try pretty hard to screw up the sound. Maybe if you used some bad mixing or FX/compression, then I guess you could make it sound poor, but it would be hard.TokyoTain wrote:WOW, xander -- that's a great endorsement... Now my mouth is watering!
I just popped onto their site again, to listen to those demos of ChineeWinds -- if I can make this thing sound anywhere near as authentic as those demos, I mean if it's possible without jumping through crazy programming hoops to get a good sound, then I will become these guys' biggest fan.
('cause those demos sound AWESOME... especially the newest one, "demo 4", which I hadn't heard before about 10 minutes ago)
Personally, I can't stop play ChineeWinds and leave it running on my system for hours at a time lately, so when I have a stroke of inspiration I can run over to my DAW and try it out. Totally amazing sounds -- I am really into learing more about the use and application of Oriental instruments, so it's great we now have such excellent access to these sounds now other than the usual Western insruments such as oboes, clarinets and so on. Maybe this is the first truly unique sounding VSTi to appear in a long time. Anyway, I am extremely happy with it -- giving me heaps of inspiration and new ideas.
For my neo-industrial compositions (you can hear these if you click my sig), I CAN'T WAIT for ChineeKong -- amazing

