Supersaw!
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- KVRAF
- 10815 posts since 26 Nov, 2004 from UK
mid bass better in first pass sub bass better in 2nd pass
i like the extra brightness on the 2'nd pass
All IMO
Subz
i like the extra brightness on the 2'nd pass
All IMO
Subz
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- KVRian
- 893 posts since 27 Oct, 2004 from Inside the kick drum
I was sleeping, long sleep, and i miss all the fun 
Yes Urs. It has, all 3 osc are in different octave. Sorry, didn't know that you cannot do that. About your samples, suse1 sounds good, but suse2, which is real jp, just sound better. Suse1 would need more lowmid-mid freq or something. But nice job
you getting closer. Keep it up!
Yes Urs. It has, all 3 osc are in different octave. Sorry, didn't know that you cannot do that. About your samples, suse1 sounds good, but suse2, which is real jp, just sound better. Suse1 would need more lowmid-mid freq or something. But nice job
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- Pick Me Pick me!
- 10242 posts since 12 Mar, 2002 from a state of confusion
Hmm.. Example 2 has a weird phasey element to the attack of each note.. almost like a retrigger.. Example 1 does not seem to have this.. not sure which is which but I prefer Example 1.Urs wrote:Well, this goes to show that your example doesn't sound like a JP8000 at all (did you tune one of the oscillators an octave up maybe?)keel wrote:HereUrs wrote:If at all, post a mp3/wav yourself, along with the MIDI. If it's *dry* (no reverb, no filters, no nothing, just plain oscillators) then I'll happily post the MIDI run through whatever I have at my disposal (software, digital hardware, analog hardware).
http://www.sendspace.com/file/noxico
Rar file contains mp3 on fully dry sound. No filtering. There is also that midi file. Sylenth 1 with 3 osc.
Here's my take:
Example 1
Example 2
One of these is the original JP8000 Supersaw. This can not be achieved by stacking ordinary sawtooth waveforms.
- KVRAF
- 2569 posts since 4 Sep, 2006 from 127.0.0.1
so, the JP synth is digital..
what's the sampling rate?
what's the sampling rate?
It doesn't matter how it sounds..
..as long as it has BASS and it's LOUD!
irc.libera.chat >>> #kvr
..as long as it has BASS and it's LOUD!
irc.libera.chat >>> #kvr
- u-he
- Topic Starter
- 30206 posts since 8 Aug, 2002 from Berlin
Well, I could, but I would need to add more modules to my development synth. However the JP can't.keel wrote:I was sleeping, long sleep, and i miss all the fun
Yes Urs. It has, all 3 osc are in different octave. Sorry, didn't know that you cannot do that.
In both examples a real JP is played in turn with a fake JP. You always hear 1 note real, 1 note fake, 1 note real, one note fake, for each out of 6 octaves.About your samples, suse1 sounds good, but suse2, which is real jp, just sound better. Suse1 would need more lowmid-mid freq or something. But nice jobyou getting closer. Keep it up!
Then, I think the chords are always 1x fake JP then 1 x real JP.
So, to be precise, the fake JP is in Suse1 and in Suse2, and the real JP is in there, too.
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- KVRian
- 1238 posts since 29 Sep, 2004
I do not wish to challenge a synth genius like yourself but that is a bold statementUrs wrote:One of these is the original JP8000 Supersaw. This can not be achieved by stacking ordinary sawtooth waveforms.
http://www.adamszabo.com/jp/out_of_the_blue.wav (made with my one, i dont know what detune value you had so I set it by ear.)
That wont be the case for too long:Urs wrote:The very distinct shape of the JP8000's Supersaw can easily be identified in a scope. It not only sounds different, it also looks different from all other Supersaw implementations I came across.
a) is original supersaw
b) is mine
c) is layered for comparison and I shifted them a bit otherwise they will cover each other.
- u-he
- Topic Starter
- 30206 posts since 8 Aug, 2002 from Berlin
Sheesh, ok, I'll try to overlay mine at some point. Yet I don't believe that the JP uses ordinary sawtoothsadamtrance wrote:I do not wish to challenge a synth genius like yourself but that is a bold statementUrs wrote:One of these is the original JP8000 Supersaw. This can not be achieved by stacking ordinary sawtooth waveforms.
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- KVRian
- 505 posts since 27 Feb, 2007
IMO you nailed it Urs but there is strange loop going on in Suse2 on 0:25 in second note.Well it exist in first too but its not so audible for me.It sounds like saws in JP are traveling slower than in your soft emu.
- KVRAF
- 12615 posts since 7 Dec, 2004
we've been over this BS about "super-supersaws". it's a 12db highpass filter with some resonance. big deal. 
Free plug-ins for Windows, MacOS and Linux. Xhip Synthesizer v8.0 and Xhip Effects Bundle v6.7.
The coder's credo: We believe our work is neither clever nor difficult; it is done because we thought it would be easy.
Work less; get more done.
The coder's credo: We believe our work is neither clever nor difficult; it is done because we thought it would be easy.
Work less; get more done.
- KVRAF
- 3431 posts since 28 Jan, 2006 from Phoenix, AZ
For the "little detune" example, I'm thinking I like the sound of Pass 2, definitely sounds better on the low notes, less flangy, crisper sound.
-Please expiriment with oscillator drift speed and amount when the time comes. JP8000 probably didn't have this feature, but it's what makes heavy detuning sound right.
-This is why I will say that the "quite detuned" example, both passes sounded horrible to my ears. No oscillator drift.
-With heavy detuning, take note that the bass notes sound good and as you get higher in pitch it sounds worse and worse. Another feature to add would be keyboard-tracking detuning.
-Please expiriment with oscillator drift speed and amount when the time comes. JP8000 probably didn't have this feature, but it's what makes heavy detuning sound right.
-This is why I will say that the "quite detuned" example, both passes sounded horrible to my ears. No oscillator drift.
-With heavy detuning, take note that the bass notes sound good and as you get higher in pitch it sounds worse and worse. Another feature to add would be keyboard-tracking detuning.
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- KVRian
- 505 posts since 27 Feb, 2007
kyetrack detune sounds cool, i like the idea
