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aMUSEd wrote:One thing I like about the cables is they are automatable which means in my Kore template I can cycle through all available connections for each cable using one knob. I use this a lot when designing patches (which is why I have made over 200 of them so far)
Where can I find more info on automation & cable destinations?

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UncleAge wrote:
aMUSEd wrote:One thing I like about the cables is they are automatable which means in my Kore template I can cycle through all available connections for each cable using one knob. I use this a lot when designing patches (which is why I have made over 200 of them so far)
Where can I find more info on automation & cable destinations?
Never mind, I figured it out. And that is pretty cool!

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ariston wrote:
Sendy wrote:is... Looking at all the crazy cabling in your patches and thinking to yourself "I did that... and I knew what I was doing..." :hihi:
... while I was doing it. Afterwards, I usually have no idea what the hell I was thinking while patching away. All I see is cables, cables, cables. But it always works, somehow. :hihi:
Yeah, I love doing all kind of crazy feedbacks until small tweaks change the sound in rather unpredictable ways. :wink:

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Gonga wrote:
Aiynzahev wrote:Well I hate to break it to you but in all honesty unless you are using these cables
http://www.highendcable.co.uk/Nordost%2 ... onnect.htm
you are really not getting a really high quality sound and just wasting your time.
"The crazy thing is, that even on a whole system costing less than a single pair of Odin interconnects the benefits are so stunningly obvious!"

The whole system actually costs less than the cables! For real? :-o
Yes it's quite amazing isn't it? and I have 20 of them for my modular. Took me a long time to convince the bank it was worth it but in the end a simple A/B test on a sine-wave won them over. They said "My golly it's so stunningly obvious now!" and gave me the $400,000 right there.
Aiynzahev-sounds
Sound Designer - Soundsets for Pigments, Repro, Diva, Virus TI, Nord Lead 4, Serum, DUNE2, Spire, and others

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UncleAge wrote:
UncleAge wrote:
aMUSEd wrote:One thing I like about the cables is they are automatable which means in my Kore template I can cycle through all available connections for each cable using one knob. I use this a lot when designing patches (which is why I have made over 200 of them so far)
Where can I find more info on automation & cable destinations?
Never mind, I figured it out. And that is pretty cool!
It's extra cool in Kore because I can also morph between different patches with different cable routings due to this feature. So I can create up to 8 different patch variations and then explore all the sound spaces in between them.

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Aiynzahev wrote:
Gonga wrote:
Aiynzahev wrote:Well I hate to break it to you but in all honesty unless you are using these cables
http://www.highendcable.co.uk/Nordost%2 ... onnect.htm
you are really not getting a really high quality sound and just wasting your time.
"The crazy thing is, that even on a whole system costing less than a single pair of Odin interconnects the benefits are so stunningly obvious!"

The whole system actually costs less than the cables! For real? :-o
Yes it's quite amazing isn't it? and I have 20 of them for my modular. Took me a long time to convince the bank it was worth it but in the end a simple A/B test on a sine-wave won them over. They said "My golly it's so stunningly obvious now!" and gave me the $400,000 right there.
:hihi: Oh yeah I can really picture an A/B test with bank execs! 8)
ALL YOUR DATA ARE BELONG TO US - Google

https://soundcloud.com/dan-ling
http://danling.com

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aMUSEd wrote:
UncleAge wrote:
UncleAge wrote:
aMUSEd wrote:One thing I like about the cables is they are automatable which means in my Kore template I can cycle through all available connections for each cable using one knob. I use this a lot when designing patches (which is why I have made over 200 of them so far)
Where can I find more info on automation & cable destinations?
Never mind, I figured it out. And that is pretty cool!
It's extra cool in Kore because I can also morph between different patches with different cable routings due to this feature. So I can create up to 8 different patch variations and then explore all the sound spaces in between them.
That's truly awesome! I picked up Kore just before NI announced its end, so I haven't invested time into learning it. But I have mixed feelings, it really is an amazing tool.
ALL YOUR DATA ARE BELONG TO US - Google

https://soundcloud.com/dan-ling
http://danling.com

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