Of course it is possible... just the workflow is horrific.nortle wrote:Hell, am I really defending my oppinion that I want to use a controller to control synthesizer plugins in 2015? I seem to be totally crazy. In software business you always hear this is not possible ... that is not possible. I tell you: It is possible. If not now, then let's wait.
Push is the ideal device to control synth like Diva or Hive. Bank and modulation target switiching can be made easy enough if both DAW and synth programmers would think about that. Sometimes you just dont want to look at a monitor. Just you, the sound and some knobs. But obviously the demand is too low for stuff like that and we need some more ultra fancy and ultra expensive analog gear.
Look at Ableton and Bitwig: I'm sure guys at ableton would have tell you a while ago this is not possible now and that and here and... ah .. that is also not possible. Then came maybe 12 guys from Bitwig and made nearly everything better than Ableton.
You did not respond to my example with Push and Hive. If you want to edit Mod1 Env, how would you know what Mod1 Env is modulating? Get down to specifics if you want to advocate for it.
A large computer screen with a visual synth GUI gives a level of feedback of the state of the synth that is impossible with Push.
There are a handful of people in the world who can effectively play chess without seeing the board. Those are the people who could also edit via Push because you need to be able to keep the entire state of the synth (Oscs, Filters, Envs, Sequencer steps, Effects etc etc etc) clearly in mind without being able to see it.
There are two practical avenues possible.
1 - Dedicated controllers with (near) parameter per knob interfaces.
2 - Improve the ways people interact with the computer screen which would include touch screens, gestures, multi-touch and experiments like Urs is talking about.
I enjoy my Push... and I use it with Live and Bitwig. It is good for launching clips, recording clips, modulation using the controller knobs for Macros as set up per preset, some step sequencing. Excellent for composition. For sound design and preset editing? Total dead-end.
