Thank you Mackie for Final Mix : ) !!

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Been listenign to demo's.... ugh, sounds really bad.

Im sure someone can put it to good use though

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morelia wrote:Very cool and unexpected addition to Tracktion. Thnks to whoever made it possible. I REALLY need a plug like this. I never heard of the developer. Are they new?
The original plugin is from 2001...

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Well, that explains it...

Still, I don't care, if it sounds somewhere in the league og WaveArts plug-ins, its a real money-saver!

Any other experiences in comparing this with maybe WaveArts stuff, Ozone, or simmilar?

MikeJade

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I dont know what the hell you guys are talking about. It sounds good to me. It probably cant beat a combination of CurveEQ, C4, and L2, but it sounds really good to my ears.
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AD80 wrote:I dont know what the hell you guys are talking about. It sounds good to me. It probably cant beat a combination of CurveEQ, C4, and L2, but it sounds really good to my ears.
Agreed AD80...Final mix is prefectly suited for music production. I have Ozone and the 6 band parametric Eq and 3 band compression in Final Mix is at least comparable to the 8 band parametric + paragraphic Eq, and four band Compressor in Ozone.

I think Final Mix is a very good plug.

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Yep sounds good to me. I'll definately use it. Still I have been listening to loud distorted guitars for about 15 years and my current monitors are below average at best.

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it sounds nice. I only found the meters a bit bad. I am hearing digital distortion before the meters are in the red. so you must use good monitors and good ears.

I still hope two small bugs will be solved one day:
- rendering loops are not of the right length
- Absynth patches can't be edited from Tracktion since it crashes when trying to open the edit-mode

but man... Tracktion is for powerful and simple to use. My fav!
Kind regards,

Marco Raaphorst

[composer/sound designer]
_____________________________________________________
Melodiefabriek - http://melodiefabriek.nl/

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Boy, what a surprise! I wasn't notified by email but I check every so often. I found it on August 12, 2004.

I checked the Forum for comments before I downloaded.

It is a beautiful piece of software. I went through the presets and all I can say is wow.

Thank you Mackie
Charlie Solak
http://solak.com

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Thanks. Re-assured me wrt v2 and Live etc.

You could even had a bit of razzamataz over this - not out of place at all - wasn't NAMM a couple of weeks ago?

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I don't like multiband compression for mastering anymore. Just a nice compressor with a sidechain/high pass filter, and with fairly moderate settings. I think it's something of a myth that multiband compression generally improves sound quality.
Every day takes figuring out all over again how to f#ckin’ live.

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chagzuki wrote:I don't like multiband compression for mastering anymore. Just a nice compressor with a sidechain/high pass filter, and with fairly moderate settings. I think it's something of a myth that multiband compression generally improves sound quality.
but you surely realized that you can use it as a single-band comp as well? :? - it's up to you how to use it... :wink:

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chagzuki wrote:I don't like multiband compression for mastering anymore. Just a nice compressor with a sidechain/high pass filter, and with fairly moderate settings. I think it's something of a myth that multiband compression generally improves sound quality.
mbc is one of those things that I tend to think is a fix to a problem that should have been fixed in the mix, but it can be a life saver on badly recorded material, loops that have already been misprocessed, or just massively atering the sound of a particular instrument.

This morning was my first chance to listen to FM, and since I'm in the process of redecorating my studio space, I can't really hear well what it sounds like, but the impression I got was positive. :)
Someone shot the food. Remember: don't shoot food!

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chagzuki wrote:I don't like multiband compression for mastering anymore. Just a nice compressor with a sidechain/high pass filter, and with fairly moderate settings. I think it's something of a myth that multiband compression generally improves sound quality.
You don't use those pounding-oomph-909-that-moves-your-guts-and-make-severe-pumping-effect-if-compressed-only-with-a-singleband-compressor-on-the-final-mix-kicks much do you? :D

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Er, no. Hence the sidechain/high pass filter.
Every day takes figuring out all over again how to f#ckin’ live.

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free huh,

cant wait for OSX version :D

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