Reviewed By djkybernetik
January 16, 2018
I love this Synth. It has cool Features and i thank Everett from Seaweed Audio very much for his great Support to run the Plugin on my (older) Mac.
The Modular Concept is powerful to create fantastic new Sounds. I'am since my Childhood an great Fan of Jean-Michel Jarre so i like many innovative and flexible Synthesizers (old analog and newer).
I can only advice to try the Demo (Free Mono) Version.
Reviewed By ReverendLove
January 8, 2018
It's my first review because I am really amazed by this system.
This one is excellent. The workflow once you read the manual is so logical and beautiful designed that it really stands out in the modular system crowd.
First I thought the modulation matrix is somewhat crowded but after reading I wondered why others don't do it that way. The possibilities are endless.
The automation system is so easy that I really did not get it. Click on rulers label and it's there. Wonderful.
OK, from my personal aesthetics' point of view the graphics' design is not my cup of tea and looks a little bit "toyish".
So no real concern. But the layout itself cannot be better.
The only thing I miss is an input for using it as FX chain.
The sound of the oscillators are stainless and building with the modules is absolutely intuitive. Left in, right out, that's it.
I'd exactly no bad issues with Fathom.
I feel a little bit guilty for thievery getting this for 5$ on New Years Day so I wrote this serious review..
Reviewed By jmg8
January 7, 2018
Very powerful and clean sounding OSCs. Nice per voice distortion and detuning options. Good modulation options.
This is a very deep synth with lots and lots of option, however, at the same time, it has quite a clean GUI that is easy to use.
The developer has excellent customer support with very regular updates.
Exceptional value for money.Read more
Reviewed By levendis
December 20, 2017
Uncapped modulation options and hybrid functions housed in simplicity. Some exotic interactions between components of its modular architecture too. The oscillators hybridise with other oscillators for AM/FM synthesis, with the phaser (spelled 'Phasor' in Fathom) for unison-like voice generation, and the wavetable oscillator offers a giant pool of possible timbres. Multi-stage envelopes with modifiers that impose gating of variable width and position adds another dimension to articulation. The delay unit is so good it can serve in the reverbs' stead.
For balance, drawbacks of note is its demand on CPU, due to its sample-accurate signal processing. Of course, the sonic potential is compensation. There's some room for improvement to its ergonomics too, but as development continues i have faith these will become more efficient.
Fathom is substantial despite appearances. A deceptively priced softsynth for the sound.