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ClonEchoes Dual Delay

ClonEchoes Dual Delay
ClonEchoes Dual Delay by Syntheway Virtual Musical Instruments is a Virtual Effect Audio Plugin for macOS and Windows. It functions as a VST Plugin, an Audio Units Plugin and a VST 3 Plugin.
System Requirements
- Windows 7, Windows 8, Windows 8.1, Windows 10.
- DAW host application with VST2 support (64-bit). VST3 support (64-bit)
System Requirements
- macOS operating system.
- DAW host application with Audio Unit Support: These plug-ins can be used to process audio by applications such as Logic Pro, GarageBand, Ableton Live, REAPER, Studio One Professional, Ardour, MainStage and Digital Performer among others.
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ClonEchoes is a dual delay effect plugin, which stores an input signal and plays it back after a certain amount of time, creating from a subtle echo to a pronounced blending of previous sounds with new sounds.

Stretch your sonic horizons with a highly tweakable, versatile, and inspiring solution for ambience effects, that produces a hypnotic and complex repeats. Offers multiple controls for modifying one or both channels to produce a rich array of time-based effects.


  • Two simultaneous integrated delays that delivers rich echoes by providing a spaciousness and depth to create intricate and synchronized echoes.
  • Flexibility to control the left and right channels separately, for both processed and unprocessed signals.
  • ClonEchoes also works as a 'stereo enhancer' and 'mono-to-stereo creator', to produce a wide stereo image or stereoize a mono sound source. It improves the stereo image by adding a slight delay to one of the channels.
  • Delay Time manual or synced to host (Tempo Sync BPM).
  • 22 predefined effects, giving a virtually infinite number of possible delay times (manual or synced) and feedbacks:

Preset List::

  1. Analog Tape Delay
  2. Bucket Brigade Delay
  3. Canyon Echoes
  4. Cloned Delay
  5. Cosmos Echo Panning
  6. Crypt Echoes
  7. Dark Delay
  8. Doubling Echo
  9. Encapsulated Delay
  10. Infinite Echoes Spread
  11. Metallic Delay
  12. Panned Delay
  13. Ping-Pong Delay
  14. Repeater Delay
  15. Shimmer Delay
  16. Slapback Echo
  17. Somber Tunnel Delay
  18. Subtle Widening Delay
  19. Sync Bounced Delay
  20. Sync Tube Tape Delay
  21. Tempo-Sync Delay
  22. Tube Driven Tape Echo


  • Dry Signal Output (Left and Right): It independently controls the left and right channels 'dry' (unaffected) signals.
  • Preset Manager: 'Browser' to load and save presets and banks, enabling to export to *.fxp (VST2 Preset), *.fxb (VST2 Bank), *.vstpreset (VST3 Preset), *.aupreset (Audio Unit Preset) plus two generic formats (plain text): the *.xmlpreset (XML Preset) and the *.xmlbank (XML Bank).
  • Wet Delay Stereo Shaping (Left and Right): It independently controls the left and right channels wet signals. Turn the knob clockwise to increase the wet signal or counterclockwise to decrease it.
  • Feedback (Left and Right Channels): Regeneration of delay. By increasing the amount of signal sent back through (or fed back, or regenerated) the number of repeats is increased Individually for left and right channels. Turn the knob clockwise to increase the rate or counterclockwise to decrease the regeneration. Also feedback can be entered by typing in the desired amount in the text box of each left or right channel.
  • Time (Left and Right Channels): Controls the delay time. The value can either be in milliseconds or in bar divisions if the Tempo Sync (BPM) is switched ON.
    • Manual Time (Left and Right Channels): This knob sets the delay time manually. Controls the speed of the effect when not synchronized to host tempo. Improves the stereo image by adding a slight delay to one of the channels. Time can be entered by typing in the desired amount in the text box of each left or right channel in milliseconds.
    • Tempo Sync (BPM) ON/OFF:
      • OFF (Default) makes no synchronisation. Time is set by the user by 'Manual Time' knob.
      • ON allows to sync the delay tempo to the host. Controls the speed of the synchronized effect to the project tempo, including tempo changes. Also is mapped to control the delay subdivisions for some tempo synced delay changes. Switch options have programmed subdivision, it goes from 1/1 to 1/16 triplet.
      • Bar Divisions (Combo Box. Left and right channels): Used with 'Sync Time (BPM)=ON' makes the Delay time sync to the host BPM and allows specifying delay times in musical note durations. Independently control the left and right channel signals. Default 1/1 in both L/R channels.
      • Range: 1/1, 1/2, 1/2D, 1/2T, 1/4, 1/4D, 1/4T, 1/8, 1/8D, 1/8T, 1/16, 1/16D, 1/16T. Improve the stereo image by adding a slight delay to one of the channels.
        • T = Triplet: Delay time equal to 2/3 of the duration of the selected vote value.
        • D = Dotted: Delay time equal to 3/2 of the duration of the selected note value.
  • Color Control: Turning the control up, provides additional high-end presence in the delay effect.
  • Resonance: Slightly emphasize or suppress portions of the signal above or below the defined color/tone frequency.
  • Tone Control: Changes the tone of the delay by taking over high frequencies. At times subtle, these changes can alter the timbre or quality of auditory sensations produced by the tone of a sound of delay, from dark to bright and everywhere in between.
    • Bright: A shimmering tone. Overbearing high frequencies. Treble emphasis (Fully clockwise rotation).
    • Warm: Well balanced, flat, neutral. Pleasantly spacious, with adequate tone (Tuning around the center position of the knob).
    • Dark: A tonal balance that tilts to tones of low (deep) frequency. Weak high frequencies (Fully counterclockwise rotation).
  • Presence combo box: Makes subtle changes to the delay character:
    • Stage 1: Tone delay is slightly attenuated. Provides a warmness tone.
    • Stage 2: Tone delay is slightly amplified. Something brighter in character.
  • Filter mode combo box: Switches the filter between lowpass, highpass, bandpass, or band-rejection filter types, offering a simple and effective tone control to shape and color the sound source.

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