This plugin is awesome. I can make anything sound like it's a cassette recording. Good on bass and drum busses but on the master as well. My favorite trick though is to sidechain it to a kick which creates a sweet but still very transparent whoomph/sweep-effect of the whole mix.
I paid for the Slate VCC plugins. They are subtle, accurate, and do what they were intended to do. I see a stack of submixes through the ears of various consoles as adding up to something potentially dramatic. All, of course, able to be fine tuned or screwed up during the mastering. But, in reading about other experiences with the VCC, I found the first mentions of the Ferric TDS. I then found and downloaded it.
I love it. I do remember the sound. Wonderful recreation ! And, now, the Slate VCC sounds better than ever. I leave those submixes to the Slate, putting in the TDS across the master bus. Talk about mix glue !!! I know that the TDS could be put many places, but the subtle Slate VCC seems to do well at not compounding problems and slowly adding up the effect across ALL channels. The TDS is, indeed, dramatic, in itself, and seems very comfortable across that output master bus - at least in my little studio.
Nuendo 5.5.3 at 64 bit is coasting along, and seemingly having no problem with the TDS in that 64 bit realm.