Overall: 169 135 168
30-Day: 142; 7-Day: 254; Yesterday: 222
Massive combines advanced Wave-Scanning synthesis with a wealth of sophisticated sound-shaping and modulation options, resulting in a sound full of "warmth, punch, character and definition". Massive is a multi-purpose synthesizer for studio and stage that delivers powerful lead and bass sounds, complex pads and deep atmospheres as well as intriguing sequences.
Reviewed By Don Deluxe
March 13th, 2023
Love it or hate it, incomparable Massive (a pop culture watershed) might be one of the most popular and important soft synths ever conceived.
Massive is the sound of pop music, and it will be for many years to come.Read Review
Reviewed By digitalboytn
July 9th, 2022
I have developed a deep appreciation for Massive and consider it to be one of the best soft synths ever created...
Initially, I didn't like the sound, but when I started programming it for the tracks, I realised just how powerful and flexible Massive really is...
It can run the whole tone spectrum from warm analog to harsh digital and the modulation options are extensive...
It feels like a "real" instrument to me and through the the use of modulation and the macros, you can get a lot of mileage out of just one program...
Perfect for a live synth....
As a bonus, there are a million and one presets available and there are some good ones that are an excellent starting point for research and development...
It has an excellent browser, so finding a few sounds amongst the million and one is quite effortless...
There are many reasons why Massive has become a classic and over the years, it has proven itself to be a real workhorse in so many styles of music...
I have a few nice soft synths in the toolbox and after all this time, Massive is still an indispensible part of the setup...
An oldie, but a 5 Star goodie...Read Review
What needs to be said? Almost everyone out there already has it lol. It's a great synth and I like it a lot. Native Instruments is one of the top dogs in the VSTi game. They know how to make quality, and they offer enough features on their main synths that you never feel painted into a corner. Massive is one of the most stylisticly versatile synths out there. It even does 8-bit Chipmusic well enough to satisfy a diehard chiptune purist. For making Trap synth stabs, Massive would be my #1 recommendation. For techno/trance, it depends. You'll want it for the digital sounds and for making creative rise/drop effects, but Sylenth, Spire, Z3ta 2 or DIVA are better for the "main course" EDM sounds and house chord stabs.
As far as personal tastes go, I'm right at home with Massive's character. It can be a dirty slut, and I really like that in a synthesizer. Brostep and hard DnB fans love it for those mean, "dirtier-than-porn" distorted basses, and fans of REAL dubstep enjoy the milder side of Massive, where you need the complex modulations and digital sound without the over-the-top distortion and craziness. It's a real pad machine, too - perfect for sounds that morph and twist, with subtle extra modulations adding texture. It does a pretty good job of EDM or oldschool sounds as well, but more effort and precise programming is needed to give it that warmth. IMHO, the sound of Massive's Unison feature is very "liquid" and "sterile", so I rarely use it for dance patches, but I do like it for Hip Hop and Trap leads since it more closely matches the character of the unison leads used on popular urban/hip hop songs. I think the way Sylenth and Spire handle unison are by far superior for those huge, party rocking EDM leads and synths.
It has a lot. All your standard needs are more than covered. What Massive really brings to the table, though, is the wavetable oscillators and how highly flexible those 4 envelopes and 4 LFOs really are. If you're a fan of sequenced patches, Massive absolutely has you covered. The LFOs have 2 other modes - a performer mode with a large variety of shapes for each sequence step, and a standard sequencer mode. You can even use the evelopes as additional LFOs via the "loop" function, with all manner of exotic shapes at your disposal. Another honorable mention is the insert FX, which you can really get crazy with. You can modulate those, and you can even modulate the global FX as well. Massive is a true workhorse synth and will likely be used quite often in your rig since it covers so much territory.
They're awesome. Native Instruments are quite picky in that area and they don't just try to fill up space so they can brag about how many factory patches their synth has. Rest assured, you will not be disappointed. My favorites are the dark soundscapes, special effects and most everything in the Massive Threat factory bank. There's something for everyone in there. Self promo alert: I have plenty of Massive sets available at XenosSoundworks.com if you want to stop by and have a look.
- Very digital sound, which some don't care for. Personally, I like that stuff, but I like analog warmth as well. In that area, U-He D.I.V.A. absolutely bends Massive over in the prison showers and calls it it's b*tch, then pimps it out to the other inmates for candy bars. There IS a reason why U-He fanboys are so devoted to Urs's work.
- Not the most efficient, CPU-wise, for those of us still using older computers. With today's machines, this won't be an issue.
Value for Money:
It depends on the person. Whenever Native Instruments has it on sale for $99 to $150, it's an absolute no-brainer, no matter what style of music you produce. If memory serves, the full price is $299? If so, i'd only recommend it for diehard dubstep fans, or brostep fans who need THAT sound, Trap producers (Massive's the best synth for that, IMHO), or people who are looking to make soundscapes and intricate sound effects/foleys without the headache of trying to learn Reaktor. If you're looking for sweet vintage sounds and need something as authentic as possible from software, U-He Diva is king. If your main style of music is EDM/Trance, Massive is prime choice for digital basses, but I would use Sylenth or Spire for the big leads and chord stabs.Read Review
Massive. Up to it's name, really. It's as classic VST as it gets. It defined what we want in other VST's now. Violinists have their Stradivari's, Guitarists have their Taylors, Strats, DJ's have CDJs, and producers have Massive.
Sound is solid. It may be a bit tougher to push it to mellow tones than for example Spire, Sylenth or Diversion, but that just means it's much more "crystalic", much more pure. It's hard to tell whether it's a good or bad thing. Depends on your preferences. ...and on your patience. If you try long enough, you can make creamy sounds in there as well. The only con I can find is that it slightly changes sound going to and from 96 kHz, but as 96kHz is still kind of waste of your resources and as it's the same with a lot of other VST(i)'s, I wouldn't consider it a big problem.
Features 9/10, GUI 10/10
Ok, ok, I know. We have all kind of synths featurewise much better then Massive, but I don't know why, I still return to this one really often. Ease of assigning modulation to a target is still unmached. All those other synths evolved from different versions. It's a good thing, but once a while you just need a familiar interface. Then it's Massive's time. It's interface stayed the same for years and it's still briliant...
Value for money 10/10
No question about this. For 200 euro, you get thing that defined the modern sound. Thing that everyone else already uses. Think that's gonna stay for ever.
I honestly think Massive is the biggest synth in VST history. Don't get me wrong, I LOVE Sylenth, but you see, I remember Massive being around and being legendary back from V-Station times. After that, Vanguard replaced V-Station in it's field, then Sylenth replaced Vanguard, Dune almost replaced Sylenth, Spire is kind of replacing Dune right now ... but Massive stayed, and it stayed as epic as ever. ...and that just counts.
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