Vanguard

I don't understand it - a good synth is a good synth, now and in five years time. And Vanguard is most definitely a good synth, maybe even an excellent one. With a sound somewhere between a vintage analogue and the C64's SID chip, and a character of presence all of it's own, Vanguard is an instrument capable not only of the much advertised big trance sounds, but also experimental, abstract pads and tones, chippy blips and bloops, oldschool sequences via it's arpeggiator... and the trance gate is useful well beyond the realm of trance music, combining with the arpeggiator in interesting and fun ways.

Vanguard features a highly fixed architecture, which is in many ways very limiting. You have three oscillators - each has it's own triangle wave LFO which can alter PWM, detune and the master filter's cutoff. You then have two envelopes, which have preset knobs to affect the patch's parameters in a hardwired way, such as cutoff, resonance, volume, PWM, detune, etc.

Throw on some classy effects which augment the sound rather than glossing over it - such as variable unison/spread, a very nice overdrive, reverb and delay... and then make the filters AND oscillators multimode, and you have quite a variety of sound, which will both require and inspire creativity.

To make up for this very fixed routing, the oscillators can make a variety of different shapes, and many of them respond in their own unique ways to the PWM parameter - we have Amplitude Modulated sine sweeps, synced noise, a strange digital burbling waveform which seems to work by turning on and off the digital bits in a logical way, as well as the old classics such as variable pulses, pitched noise, and Phase Distortion style morphing sines. Similarly the filter has a whole bunch of modes, including rare choices such as a resonant 6db lowpass, bandpasses feeding a waveshaper, and dual filters.

Layering these, and making careful use of the envelopes and LFO's, you can get some very cool abstract sounds, covering bass, lead, pads, effects, and videogame effects. The sound quality of Vanguard has been described as 'plasticky', and it can do that sound very well, although the sound has undergone a number of revisions, and going into the setup panel allows you to choose between a few different setups regarding antialiasing and oscillator versions. A lot of people liked the way Vanguard aliased, but it's nice to have the option for a more silky sound, if you so desire.

Typically I use Vanguard for abstract leads, SID inspired leads and pads, digital sounding effects, and arpeggios. At times I wish for more flexibility, for example, the modwheel is hard routed to raise the filter cutoff, and aftertouch will always bring in vibrato, but I've made a staggering range of sounds, and the sexy interface really pulls you in and makes you want to tweak.

All in all a very rewarding, and unique sounding synth, which looks and sounds like a solid object, rather than code. If you're looking for pure analogue emulations, look elsewhere, but lovers of SIDs and digital/analogue hybrid sounds should find the sound of Vanguard very enticing.Read Review

Can a GUI get any better than this? I think not!
This thing oozes quality all the way. An absolute gem.

Sounds: Big'n'fat are the order of the day here. With a simple twist of a knob, you can turn a mono sound into a big fat stereo sweep. Crank up the filter and get THAT 303 squelchy lead. IT has discreet control for overdrive and numerous (and quite odd) use of envelopes. There are quite a lot of base waveforms to use on the 3 oscs, but I find them too similar. However, it makes up for this in filter types, fx, arpeggiator, etc. The big filter sweeps reminds me a lot of the Korg Prophecy; it had that same huge sound.

GUI: Everything is laid out logically and for quick access, which is always a plus. Just click on an osc window to display a drop-down selection list. Quickly switch FX on and off for auditioning. As I've said earlier, the GUI is sexyness all the way.

Presets: There is quite a bit of diversity here, and there appears to be a bit of crossover to reFX's other synths, which is great in my opinion. This synth is very versatile.

This really is one of a handful of top-notch synths out there, free or otherwise. I place it in the same quality league as Novation's V-Station. Excellent stuff.Read Review

It was love at first sight with the Vanguard. I've had it since it was released, and have used it quite a lot. It's easy to program and has revealed itself to be an extremely versitile instrument.

The factory patches it comes with are very good, but I have to say so dance-focused that you may get the false impression that's all Vanguard is (very) good at.

In fact, I was recently looking at fancy new synths because some of their sound samples blew me away. I figured I'd play with my trusty big V a little before shelling out another $200+ and I was impressed. If you pull yourself off the beaten path, you can make really modern sounds that rival some of Albino's more interesting patches.

If you want to get a better idea of the limits you can take this amazingly well-designed synth, check out the "SOUNDSHOP" link at the reFX site. The samples of the patches are really eye-opening, particularly "Xenox Signature 2" (although you shouldgive a listen to all the bank samples). By the way, these sound banks are high quality, pretty inexpensive and at times simply wonderful.

reFX have added a few tricks since version 1.0.x which should be noted:

- A "VCS" knob. One simple little dial that controls how rich the sound is. My patches went from "cool" to "holy crap" with a quarter turn. This was almost like getting a whole new synthesizer in itself.

- The tracegate now supports stereo patterns. You can dial up your own ping-pong gate effects, very nice.

- Also with the trancegate, you can save and load "gate patches" from a right-click menu, which is really convenient.

User Interface: lovely, but a bit big. I like the extra space between thing, but the knobs are small on my big screen.

Sound: Excellent. Two caveats: 1) make sure you have at least 1 more voice than you think you need; 2) don't use 0ms attack or release (in most cases), back it down to 1ms.

Features: There's almost everything you could want in a synth in here. The arpeggiator could use the ability to customize, but this is my only feature gripe.

Documentation: don't need it, but it's good anyway.

Presets: Shipped with very good presets, but "dance-heavy". However, a quick visit to the "SOUNDBANK" (which you can also access using the "ROM Pack" link in the setup) will deeply satisfy.

Customer Support: I had a few questions with 1.0.x and they were answered almost immediately.

Value for Money: Excellent.

Stability: Version 1.5+ seems rock solid.Read Review

With a simple synth interface, familiar to anyone who's programmed a synthesizer and not terribly hard to figure out for those new to synthesis, Vanguard is an excellent synth for virtual analog sounds that remain being popular.

If assigned a score for smooth and suave vs. hard and nasty Vanguard leans a bit towards the hard sound, say a 6 or 7 with 10 being a 303 in full squelch mode. The instrument has the character of an 80s synth with 70s mono-synth sensibility. The sounds are fat and big. In a war with Pentagon which is my standard bearer for high output, big sounding synths it was a tie with Vanguard.

Quite a bit of preset and the synth engine is spent on arpeggiation and the now famous "trancegate". There is a bit of remembering to consider here. It may seem petty but Vanguard was the first synth to seriously entrench the easy to program step sequencer that became known for it's name "trancegate". Also of historical importance is a unfair backlash on the synth for jumping from a pleasant Alpha Juno clone to a further extended synth. The jump into a "large" synth puts Vanguard into a new class of synths.

No longer a somewhat simple mid-priced synth it was playing with the then new z3ta, Albino and Rhino synths. And to be blunt, it does not beat any of these semi-modular synths in terms of flexibility, but it comes close to competing at a considerably smaller price and with a much simpler interface. In fact, it's the easiest of the "big" sounding synths and also the least expensive.

Money matters as you can only expect so much at certain prices and to ReFX's credit, the price was closer to a more limited synth which has shown over time to be a smart move.

There are three oscillators with 31 wave choices, octave, semitone and minor detuning all routed to a "fat" control. :) There are 11 filter types from LP to Formant which give a good deal of diversity to them. Vanguard enables velocity and keyboard tracking which makes for some beautifully complex leads and pads. There are also two highly controlable analog style envelopes, LFO with retrigger for each oscillator along with filter and PWM fixed controls. The amplitude section works similarly.

There is the combination of arpeggiation and trancegate, something that's quite enjoyable considering you can set up the synth to modulate several different possibilities rather than what may seem the fixed resonance that so many Trance tracks have made this chopped up, highly note gate controlled sound. Going past it's Trance roots this is a very useful and easy to work with 16 step stepsequencer. Also, each assigned part can be chopped at different timing values for great sounding analog sounding evolving timbres, great for almost any sound you decide to use, and although Vanguard is a big sounding synth it isn't as complicated nor expansive as rgc:audio's Pentagon.

The question to ask is, is this necessary for you? If so, you'll probably be happier with Pentagon and that's about that. But Vanguard has it's own character and it's a bit more fatter and harder than the other large scale VA VST instruments.

Basically, Vanguard ends up being a very good sounding, very fat and typically pleasing sounding synth. Take away the trancegate and remove that whole element and you have a modestly powered big sounding synth that makes sense at it's price point, about $100 USD. If you want the gated sequencer you'll want Vanguard over some of it's similarly priced competitors and the unchanged in 4 years Pentagon which is the synth that shares the most sound qualities with.

If you want harder you've got your decision again, Vanguard. Similarly, if you want that smooth sound like a LinPlug you're going to pay for that, about $100 extra.

Presets are techno based but that can easily be changed. If you're learning this is a good synth to learn on. What it comes down to is ReFX's very good customer service vs less expensive synths with unproven track histories. In terms of patch banks you'll need to select if you aren't using Vanguard for techno. Still, it is an elegant design that makes learning easy and most likely fun. Like all great synths there are all kinds of patches available for free and purchase. This is a important feature for seats at a studio or a producer's DAW.

Try the demo if you like VAs, it's not whether you'll like it, whether it fits your needs or not. Pay attention to what works well with your setup and decide that way.

Vanguard is certainly worth the money but is in a price range that is highly competitive and viewed as a serious purchase. Only you can decide what is best for you.Read Review

Hi

I do like the interface, the graphics are nice and the controls are clearly laid out and responsive,
there is perhaps too much open space - but otherwise its a very nice gui.

I found that the documentation covers all the basics and picked up a better idea of the synths structure by reading through it.

The synth comes with a couple of banks of presets, which allied to the mass of free banks available has to be considered good value.

The developer has a support forum at KVR so I imagine any problems would be quickly ironed out.

I suppose the value of this product lies in what you are after - I think Vanguard is well respected for its ability to pump out a plethora of in your face lead and hard hitting pad type sounds as well as the more staple perc, bass and FX sounds, amongst others.

I have found this synth to be rock solid in the stability stakes.

There are a mass of wave forms on offer but to be quite honest I am left wanting at times - the Digital wave form for instance seems to lack the edge that I associate with this type of sound.

Although ARPs and Trancegates are not the type of processes that I would generally use it must be said that along with the onboard FX you can come up with some really interesting twists - and this is what makes Vanguard unique (although other developers are starting to mimic these features, read Discovery!) and on that point it is hard to be overly negative about the
'package' as a whole.

To consider alternatives is not easy given the feature set of Vanguard, but Exciton, Hydra and Anamark all offer similar sonic delivery and editing/sound creation potential, but they all lack the Trancegate and Arp - so you will not get the performance features that Vanguard offers, with them.

To sum up if you simply want a synth for 'standard duties' at this price point there are options - I have named three that can compete with Vanguard on sheer sonic sound sculpturing potential - but if you want the Arps and Trancegates you have less options.

I have edited this review to take in the updating that has taken place - the bass end has improved with 'Fatness voices' (vcs) which determines how many voices are used for the fatness effect and this puts Vanguard into the 'very versatile' synth category.

I would still like a bit more 'oompth' with the LP filter
at the extreme of the cut-off point.

I do like Vanguard and think the latest up-date takes it that bit further.Read Review

I have much the same view of Vanguard as mentioned in the other reviews. It really is pretty good value, it's capable of a fair bit of variation in sound with a good set of edit parameters. It fills it's own niche in much the same way JunoX2 did. It's not a VSTi Virus and it never was meant to be and it's not advertised as such whatever rubbish you may have read about it. It's aimed pretty well squarely at the dance/trance crew and as such it does its job extremely well. If you want those hard edged or very full-sounding stabs, hoover type sounds etc then this is the synth for you. I can't think of any other synth I own that does hoovers galore straight out of the box. I don't always make that type of music, but when I do I go straight to Vanguard. It's a direct successor to JunoX2 but it adds a whole heap of things that you couldn't do with JunoX2. For example it's more capable of getting heavier bass, you can modulate the sound a whole lot more, it has very useful FX such as the trance gate. The gating is not done by many other VSTis and it works seamlessly. If you make that specific style of dance, then the trancegate is an invaluable tool. It has a very impressive set of filters (more than on the JunoX2) which can produce some very hard and nasty sounds. But you also can make softer more subtle sounds with it - easy for pads and most types of leads. Not everyone's cup of tea, but if you're a dance-head, you definitely should try out Vanguard - it was made for you.

CPU - a small hit and won't overload even a modest PC while playing chords.

VFM - lots of good presets that show off what you can do with the synth. All useable musically, so if you're not into patching then you're off and running straight away. You can spend far more for dance synths that won't sound much better than Vanguard.

Support - I've had no issues with it recently. Very good support. At first release I couldn't get mine to load (it was a Win98 issue it seems) but that was fixed pretty quickly by ReFX as usual. ReFX have high points for responding to problems. Now it is rock solid in my system. I'm not aware of any other issues that haven't been fixed equally quickly. You will get far more support from ReFX than most of the big developers out there.

GUI - not at all difficult. Everything is laid out logically and it's pleasing to the eye to work with.

Features - already mentioned a few but here are more.
3LFOs with various destinations.
Lots of options with detuning and PWMing to really thicken up sounds.
3 Osc.
Gating FX for rhythmical pads etc.
Big set of osc choices and filter choices. The filters are the real strong point - all the usual LPF, BPF, HPF etc, but quite a few distortion filters combined with the usual to give you a very hard edge to the sound. Formant filter, comb etc.

Vanguard does a wide range of sounds specifically aimed at dance - ReFX gained a following precisely because they target their plugins to a specific audience.Read Review

There has been much ado about this synth in KVR forums, strangely enough, i don't see any review here, so i'm going to fill the gap.
Vanguard project was initially supposed to be an upgrade of JunoX2 (rip) but it developed much beyond the initial intentions.

Vanguard has been compared to Access Virus, but that's really a wrong idea: while it suits perfectly the musical styles the Virus is famous, it has really another character that makes it "unique", as in reFX tradition.
I talked about musical styles: Vanguard comes with built in 128 patches made by the preset wizard Manuel Schleiss, known for the high quality Dance-Techno-Trance preset he made for various hardware synthetizers.
Those patches make of Vanguard, "out of the box", the perfect VSTi for those musical styles. Sounds are powerful, very actual and definite. But Vanguard is much more.
There are other 2 banks you can load to experiment with more various sounds, ranging from electro to experimental.

Vanguard is an easy synth to play with: you have 3 OSC, 3 LFO, various filter modes, 2 ADSR (controlling many targets, expanding the JunoX2 model) and 3 built in fx (Distortion, reverb and delay).

The sound of the digital OSC is sometime very harsh but you can get some really interesting and unique sounds from them.
There are also a "trancegate" (a programmable gating effect) and an easy arpeggiator, that may be combined to work togheter to trigger some really creative notes :)

Generally speaking, Vanguard, like all reFX synths, is not an "all round" machine.
It has a very definite charachter and is mostly aimed to agressive types of music.
You can get nice evolving pads from it, but nothing close to something Vangelis would use.
More likely, The Prodigy would use it :)

Trancegate and the arpeggiatore make of it a very effective "fast" filler for emptyness in your tracks, while his punch will cut through your mix when used as a lead or bass.
The GUI is very simple and everybody can start making sounds after 10 minutes.

Despite some charactheristics (that someone may define as "osc bugs"), it's an absolutely necessary weapon in every dance [and derivates] studio. And for it's price, it's a real bargain.
Sure, if you're looking for an all around analog working horse, look somewhere else.Read Review