GVST

I think I've been using this little plug-in for almost 10 years. It is very useful for me when I want to make a channel louder or quieter without using the channel fader. You can set a range between + / - 12 dB and the nice thing is you can also type in the value. It also displays clipping or when clipping has occured. It's very simple but it's been in my inventory for so long now and i would miss it a lot.

though I have a few tuners I seem to use this one more than all of the rest combined. I like the bold face.

Nothing fancy, just basic Tuner.

Its very consistent across entire sound range but its max +0.2 HZ ~ +1 cent off. Sometimes less but never goes more up then +0.2 HZ. I think its good for free tuner.

It displays frequency with 2 decimal points while another free tuner from Melda just 1 decimal point.

You can definitely use it. It will do the work.

An excellent free plug-in which I use on every project as Cubase doesn't include this feature.

My go to clipper. No nonsense Intuitive interface with instant results. I need to use this invaluable tool more often to tame those pesky drums.

Thanks GVST.

you know..there are many plugins around here that are in somehow the same, but if you make a great searching in here you will find out that there are few others that are free and what you really need .In this case I;m talking about this ONE which solved my issues to 100% and gave me a happy feeling and hope about this site ..All try this one it 's A W E S O M E

An enormous WELLDONE to the DEVELOPERS

Perfect basic clipper with nothing less than what you need and nothing more to get in your way.

Hard knee with no oversampling for harsh digital clipping when you want it. Soft knee with oversampling enabled for a clean, basic tube-esque distortion that works greats with unsubtle saturation on drum buses.

I'm giving this a 10 because it's super unique. It's basically a delay with an integrated compressor. I'll try to do it justice, but you really should just try it for yourself. I don't know of any other delay that ducks the delay line in favor of the dry signal.

The best thing about this, the thing that sets it apart from other delays, is that you can make really strong delay lines (i.e. high in level, relative to the dry signal) without it overwhelming the dry signal. Brilliant. However, as with any heavy-handed compression, do be aware that it can create a pretty audible "pumping." And even a sort of "clicking," especially material with prominent transients. So it's definitely not appropriate for any material where you don't want that. But when you're okay with that, this thing rocks. I think the best use of this is on material that is syncopated (i.e. not just straight eights or quarters), and when you use a note value that it something other than what you can set in most tempo-synced delays (the common stuff - 1/4, 3/16, 3/8 etc). Go for odd stuff like 5/16, 5/32, 15/64 – crazy stuff like that. This thing will start making reeeeaaallly unique rhythms. Put two or more together, serially, or in stereo tandem. And things can get really wild. Creative opportunities abound.

Some people won't use this because the delay is not tempo-synced: big mistake. Read my review of GDelay. Everything I said there applies to this one even more. Learn to use Excel and do basic mathematical functions. Your music will thank you.

And as with all GVST's stuff, it's very CPU-friendly. Barely even registers on my CPU meter.

Suggestion for improvement: it would be nice if you could opt to duck the dry signal in favor of the wet signal. That could be very cool.