Thank you so much for listening and your valuable comments on SC.
Is it my turn to choose prize? Ok, I will have Sylenth.
There is, but the commenting is kinda optional don't feel you have to do it and don't apologies for it, some just like giving recognition to parts they like. Most are encouragements, some are constructive criticism, so never take that to heart as it's only one persons opinion. Plus it takes time especially when there are 60-70 tracks.Breeze wrote: But I think the point of the OSC is not just competitive: there's a significant amount of camaraderie and sharing going on which is just phenomenal! I have to confess that I didn't participate in this aspect of it because of a lack of time. I'm not a committed soundcloud user and I never even left a single comment on anyone's track. I have to admit that it was nice to see what people thought of my track and I sincerely apologize for not having reciprocated. I see now that this as much a part of the OSC as entering and winning prizes, and it's why I sadly won't be participating again any time soon.
Yeah I agree, the commenting isn't mandatory, if you don't have the time or don't feel like commenting on the entries you can still enter. I think not many people have a problem with that. It's all about learning here, practicing your sound design skills, and for me also finishing trackschilledpanda wrote: There is, but the commenting is kinda optional don't feel you have to do it and don't apologies for it, some just like giving recognition to parts they like. Most are encouragements, some are constructive criticism, so never take that to heart as it's only one persons opinion. Plus it takes time especially when there are 60-70 tracks.
So take it from someone who constantly strives to finish near the bottom each time.
Just do the fun part of creating a track each month and see the experience you gain of outputting a track each month.
That's kind of you!Bjulin wrote: Hopefully, I´ll have enough time. I thought, I could do a short video with an overview of my track. What´s happening there and stuff like that... maybe some stuff could be usefull for some of you guys

Curious which one?chilledpanda wrote:Congratulations to the winners and everyone else participating, been interesting to see the variety of tracks on some of the synths ( ending up purchasing one ).
Cheers for the nice commentBreeze wrote:A last point about all this to the organizers: congrats on keeping up this creative festival for so long! It takes an unusual level of commitment to do anything like this on an ongoing basis. I hope you won't give up any time soon and keep looking for better ways to run and foster this community.
Ah it was NI Monark, currently has 50%* off so that kinda swung it, good price (£44.50) for a pretty good emulation of a mmmd. Was some others that tweaked interest, plus some like diva/zebra2 which are already topping my list though I'm trying to resist for now, I want use the ones I have and there was a few free ones used that I haven't used, plus don't want to get into the syndrome of loads of toys that I don't use, its just wasting money, I got massive and linplugs octopus before xmas in the sale. So massive had it's first run out this time. I have plenty to play with, just not the timeV'ger wrote:Curious which one?chilledpanda wrote:Congratulations to the winners and everyone else participating, been interesting to see the variety of tracks on some of the synths ( ending up purchasing one ).
I really should have said "one of the reasons..." But I really got the feeling, based on comments thrown on my track, and listening and reading the comments on other tracks, that this was a significant part of the process. Despite the disclaimers, I still feel it's an important aspect of the OSC and probably ads a lot to the experience for many participants.bjporter wrote:Can you elaborate a bit more on the above quote though?But I think the point of the OSC is not just competitive: there's a significant amount of camaraderie and sharing going on which is just phenomenal! I have to confess that I didn't participate in this aspect of it because of a lack of time. I'm not a committed soundcloud user and I never even left a single comment on anyone's track. I see now that this as much a part of the OSC as entering and winning prizes, and it's why I sadly won't be participating again any time soon.
There's no community shaming here, or anything like that, so you'll never be required to judge or participate. You just need to make sure you get the rules right and submit on time.Breeze wrote: But like others, a much more serious bottom line for me is time; it's a considerable investment in time not only to produce the work, but also to seriously participate in the judging. Time is something I need to manage carefully; it turned out I had some down time to do this, and now things are already getting busy again. But "Never Say Never", right?
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