Voxengo

I cannot live without this plugin. I use it to fix nearly all mid-side, phase cancellation/correlation issues. I would pay for this plugin if I had to.

This is one of my desert-island plugins. I use it on every mono sound in the mix (using a stereo channel). It's not a replacement for reverb, but it gives an immediate sense of width and depth and eliminates my boredom with super-dry mono sources that have no reflections whatsoever.

Even if panning the channel, make it a stereo channel and add Stereo Touch to create a more realistic acoustical space. If you want to add width to a monophonic sound that remains fully mono compatible and doesn't suffer from phase cancellation during mono playback, this is the plugin of your dreams. I use it even when I place the source in a reverb that has its own early reflections.

Note that it changes stereo input to mono before adding width, so it's not appropriate for stereo sources, unless they have phase problems you are trying to correct, which it also excels at.

I agree with Robert - all common and familiar functions are featured in a very weird way. The only pro is the possibility to adjust different volume for the channels.

This is a serious compressor, with precise and functional adjustment options, transparent and very well preserving the sound.

It is usually my main choice when using compression in the master if necessary, fair price, using oversampling its resource consumption is not exaggeratedly high, I think it is an efficient consumption for the results obtained.

A very useful multiband compressor. Great on vocals and synths too. Good adjustable GUI. Sound is clean and smooth. Includes an input gate and output clipper, and adjustable saturation on each band. Plus a built in EQ which looks, operates, and sounds like the excellent Gliss EQ in Lite form.

Could benefit from just a bit more complexity. The compression activation function could be adjustable like in the Deft Compressor. It would also be helpful if the compressors could be routed in series while bypassing the frequency crossover.

The only negative feature is the 16ms latency which limits its use while recording.

This is not a delay unit. It is a latency compensation device. You aren't using this to make echoes or chorus. Its a utility mostly useful for time alignment of tracks within a DAW which doesn't have automatic latency compensation, like many 'lite' or free DAWs. For that purpose, it is excellent. All the newbies who are still using cheap DAWs should definitely get this. It is the easiest way to time align all your tracks. There isn't another way to do it which is as reliable and easy as this.

Disregard the low review by folks who thought this was supposed to make echoes. Get Voxengo Tempo Delay for that, which is excellent.

Easy to use, readable graphs, low latency. This tool is well suited when you need to work fast and efficiently. The sound of this plugin is great. Highly recommended.

It's an excellent concept for a plugin and does it well. I always enjoy working with Voxengo's interface.