I'm surprised how good it sounds as a bus compressor (tested it with a synth+delay and drums). I checked it out in PluginDoctor and noticed there's a high-end roll-off beyond 10k, but it's a really nice sound. Just have to keep in mind that there is EQ happening.
Perhaps I don't have the "right" to review studio gear, since I can't pursue it on a FT basis; home recording is relegated to being a hobby for me. Although I have been multitracking off and on beginning with cassette 4-tracks in 1981, then on to an ADAT/mixer/compressor rig for a time, and then some Boss BR stuff.
I only got into DAWs and VSTs 2 years ago, just to make my friends STFU. I was aghast at the notion of trusting a computer with my tracks. But I tried free Mixpad, and then I got Reaper and Mixcraft 8. My fears have actually been semi-realized at times; never once do I remember any other recording rig apart from a DAW not being able to keep tracks in time with each other, not even once do I recall my ADAT crashing, and then when I bring it up again, only the MIDI tracks are left; the audio tracks have vanished. Never had to go find some 11-year-old whose thinking is convoluted sufficiently to be able to understand the complexities (read "stupidities") of the cyber realm to come and fix one of the myriad ludicrous problems which are retarded...I mean, unique, to DAWs.
Anyway, this tool is MAGIC. I put it at the end of my master track, and my sucky, pathetic music has undergone one of those chrysanthemums where a worm turns into a butterfly, or something like that. Very "tubey". Actually gets me close to the armhair-standing type of 4-dimensional yet lo-fi sound of ... The Doors' 1st album and "Fresh Cream" come to mind. I love the sound of those and certain other 60s albums. You can feel the tubes glowing as you listen. Even the urinals in whatever studios those were done in must have been all-tube, I mean...
So yeah, this ADHD tube limiter is 100% recommended from here. I crank the "drive" to high; often to 100%. And I crank the gain as high as it's practical to do before I must apply too much reduction and the sound gets too flattened. I just adjust with respect to any compressor VSTs I have applied to audio tracks, so they work together and don't clash. I can't believe it's free. Many thanks to this ADHD lot. They're geniuses, and they're generous. Well done.
It's a great tube compressor. Same flavour as the Waves CLA-3A but this is free. I've compared the two side by side and I haven't noticed a difference. The possibility to adjust attack and release time is a plus. Highly suggested on vocals and drums. I can't believe it's free.
I cant stop using it. Just putting sound through it makes it sound better.To give an example, while its not the same style it has the same satifying effect as the klanghelm MJUC; you immediately think, ok this is working. I cant imagine anyone being dissapointed with it.
Gain staging is a bit strange at first, but this thing really smacks. Sounds tight! Free compressor or not, it's one of my go-to dynamics and tone tools now. Even when the release knob was stuck it sounded great. Thank you very much AdHd Audio Tools.
I'm having issues with the 64-bit version of the plugin (both VST 2.4 and VST 3, same problem) in Studio One 4 on windows 10x64. The signal gets incredibly low even with the gain knob all the way up and the peak knob all the way down. The dry\wet knob makes no effect at all.
To anyone using it on a master bus, be aware of the high frequency roll-off. It starts at around 8 kHz and takes away around 1,5-2 dB. I tested it with SC HPF and DRIVE both at 0%, with only 1 dB of gain reduction, 100% WET.