Plugin Alliance

My go to chorus, for synths. I really don't use chorus on guitars much anyway, this is really amazing sounding used with synths though.

Simple, useful, light... The perfect tool to put on the master bus when mixing. Really easy to use and gives you the information you need to know to make sure that mix is perfect.

This plugin works wonders for low end frequencies in my mixes. Definitely worth checking out..

There is not much to say about Thorn that has not already been said...

Everything about this synth is top shelf...

This is coded by a very smart cookie who knows a thing or two about DSP and the importance of having a clear and functional layout...

Because everything is basically on one page, the workflow of Thorn is fast and efficient...

This synth is capable of producing so many different sounds - from warm analog to harsh digital - and it has it's own "character" which blends well with other instruments in the mix...

Because of it's unique nature, when you are tweaking things to sit it in the mix, you can find so many nice surprises and that makes this not only an enjoyable, practical tool but a fun toy as well :).

The glitch sequencer is extremely cool and you can really dial up some rhythmic goodness there...

I am a fan of Tantra, so to basically get Tantra built into a synth is a serious bonus...

One of the smart features is that you can save the presets for the sections separately, so importing those into other patches is really easy and so helpful...

This is a desert island synth for me...

I have some solid soft synths that I use and most of them have been with me for some time, but Thorn has quickly become a real workhorse and part of the handful of synths that I consider indispensable....

5 Stars to Dimitry for coding such a wonderfully inspiring piece of software...

Thank you...it is greatly appreciated....

I really wonder why "Buy a good Channel Strip" is not the first Advice for People who are looking for a deep analog Sound. It's maybe because not all are like this One - I don't really know - but the Console N really fulfills all Promises.

The Sound excels my Expectations by far. Especially the EQs - and at all Frequency Bands.

There are many Tools out there that promise a "Hardware Sound". For me it's in the End this Channel Strip that ends my Search.

Furthermore you should not underestimate the Effects of the Construction itself. Gate / Expander - Compressor - EQ - implemented in this certain Way - will let you work differently.

I don't want to say much about it than "try the Demo".

I literally use it almost every day, it is the most powerful and intuitive multi-effects unit I've ever used. It is a sound designer's dream come true. The power of the modulation section is insane, I'll be away from BYOME or any UA products and I'll think up of patches, come home, design it, and it does exactly what I thought of in my mind. This thing is a dream come true.

I got Thorn cheap as a side-grade from the excellent Tantra effect but even at full price it is an absolute bargain. It would be easy for some to talk for pages about the synthesis method but I'm more interested in the sound that comes out at the end, not what gets put in at the start, so I'll try to make it more of a brief overview of what it's like to actually use.

The two oscillators use spectral (additive) synthesis to create both basic and complex waveforms. You get loads of presets and you can open an editor to muck around with the partials and change the sound, although to my ears you don't get much value from doing that. There is also a Harmonic Filter which removes certain partials, which I assume it is doing digitally, not like a normal filter (because there is also a Comb Filter in the other Filter section). Suffice to say that you have a lot of control over the way the raw oscillator sounds. You get a few options, like detune, pan, volume and unison per oscillator, and each of the three oscillators can be routed to either filter. You can copy/paste settings between oscillators. There is also a separate noise oscillator.

The Filter Section has two multi-mode filters with a great sounding Drive circuit that can add as much meat to the sound as you like. There are around 20 different filter types, that include everything except a notch filter (which you could make by using one filter low-pass and the other high-pass). You can definitely tell the difference between the different filters and you are bound to find one that works for whatever it is you are trying to do. The two filters can be locked together and you have the option of running them in series or parallel.

You get three ADSR envelopes, which include parameters for Key Track and Velocity, plus two MSEGs and two LFO. There is a Mod Matrix for making complex modulation assignments, as well as knobs where it's handy, e.g. envelope modulation of Cutoff. There are 9 high quality effects built in. Of special note is the Distortion effect, which is just about the best distortion I have ever used. It can be very subtle or completely bonkers, depending on the settings. There is also a limiter built into the output section.

There are two separate sequencers in Thorn. The Arpeggio is actually a fairly standard, easy to use step sequencer that works as an offset to the input note. The Glitch Sequencer is something else that really sets Thorn apart. Using both together can give some amazing results. I can't imagine how much more crazy it could get if you also threw the MSEGs into the mix. What's great about using these features in Thorn is that you can make things sound really harsh, like Massive's glitchy sound, or you can keep it smooth and interesting to add a bit of flavour or texture to an arrangement or a sound. It's extremely versatile.

Thorn comes with lots of presets and what I like is that rather than try to dazzle the user with all the capabilities of the synth, many of them seem to have been crafted to allow the user to take them and build on them to make your own sounds. Better still, you get lots of presets for different parts of the synth - there are preset waveforms, presets for the Harmonic Filter, presets for the Arpeggio and Glitch Seq and presets for the MSEGs. This means you don't have to do everything yourself or just use preset sounds. You can very quickly make something that is uniquely yours by combining a few of the existing presets into something new and brilliant (because all your work is brilliant, right?). It's all part of the attention to detail that includes nifty things like being able to shift each sequencer's events left or right to line up with the rhythm you are trying to get. It even has it's own undo/redo.

What I really love about Thorn is that it can have such a great character. The harsher, more digital stuff is good but when it gets all warm and analogue-like it really starts to stand out from the pack. It is great for big, beefy basslines, it has some absolutely sublime pads and the SEQ presets are simply incredible. Best of all, the way it's put together means that you can start creating your own sounds, which will be just as good, almost straight away. It is all so well thought out that everything makes sense from the first time you load it up. Download the trial and listen to some of the presets and you'll see just what I mean. It's so good I have run out of superlatives to describe it so I'll shut up.

I use this all the time and have yet to hear a better alternative. But it does get quite extreme quite fast. i wish it had a little more range.